  shchepochkina-ju-a-tik-73-2026-3.pdf |
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- About “urban” and “village” in textiles
- Shchepochkina Ju. A. About “urban” and “village” in textiles. Technologies & Quality. 2026. No 3(73). P. 99–104. (In Russ.) https://doi.org/10.34216/2587-6147-2026-3-73-99-104.
- DOI: https://doi.org/10.34216/2587-6147-2026-3-73-99-104
- УДК: 746
- EDN: BRBGGC
- Publish date: 2026-07-02
- Annotation: The article reveals some of the reasons for dividing the range of fabric patterns into “urban” and “rural” patterns. It is noted that in the late 19th and early 20th centuries, so-called “Parisian” fabrics were intended for the wealthy urban population, while in the Russian countryside, cotton patterns such as “chine”, “one-ply pink mesh”, “pink roll”, and others were widely used. Printed fabrics with floral or narrative motifs, colorful patterns, “milflers”, and others were produced for the peasant market. Etched drawings of linen on a dark-blue or brown background in the “pico” dot technique were in great demand among the villagers. It is said about agitation textile. It is noted that the line of division of the pattern on fabrics for the city and the village, which existed for many decades, was practically erased in the 1950–1980s. “City” and “village” in fabrics have long been not visible, and traditional ways of artistic construction of the textile pattern are processed in the creation of modern artistic compositions.
- Keywords: city, village, cultural heritage, traditions, fabric, textile pattern, consumer
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